A dark theater stage with minimalistic lighting and several people setting up or rehearsing. The stage has illuminated horizontal and vertical lines, with some people standing and talking near the front. The background is mostly black.
Stage set with scaffolding, white panels, and minimal lighting, with two individuals working on the setup.
A dark stage with black walls, illuminated by vertical and horizontal light strips. There are spotlights and equipment hanging from the ceiling, and a set of stairs on the left side.
A digital architectural rendering of a construction site with scaffolding, barriers, and a large open space, including a person walking and various structures in black, gray, and white.
Display of vintage objects including a yellow rotary phone, an old white remote control, and black wired telephone receivers on a patterned carpet, viewed through a reflective surface.
A woman performing a dance or theatrical act on stage, crouching in front of a large circular prop resembling a shell, with a dark background and blue lighting.
A person with a raised arm standing next to a transparent glass display case illuminated with red lighting, with black background and textured panels.

We See,
We Move

Stage Design

As part of a collaborative stage design team, I contributed to the creation of a modular performance environment for the BA Performance: Design and Practice second-year production, 'We See, We Move'. This performance asked: what is the experience of being alive, right now, in this world?

Inspired by industrial architecture and brutalist materials, we developed a flexible system of moving set pieces that transformed throughout the show. The subsequent variety of multi-layered performances encouraged audiences to engage with changing perspectives through sustained acts of attention. 

This project connects to my ongoing research into how environments hold memory and how attention to often overlooked materials, textures and structures can reveal new ways of understanding the world. By slowing down and attending to the details that often go unnoticed, seemingly ordinary spaces and objects become records of human presence that invite us to reconsider the significance of the everyday.

Exhibited
Central Saint Martins 2026

Collaborators

Gaby Wschiansky, Aisa Casserly, and Julia Pergjoni

A dark stage with blue lighting displaying text and performers. The text reads: 'TOUCH MEEN YOUR BR...' (partially visible). Performers are dressed in colorful costumes, some lying on the stage, others standing or operating equipment.
Performer dressed as a mime with white face paint, black and white clothing, in a theatrical scene on stage with minimal lighting. The mime appears to be holding a puppet or object above their head.
A group of performers on stage with a large red balloon, all dressed in black, illuminated by red lighting, during a theatrical performance.
A projection of a sky filled with clouds and a rainbow on a screen, with a dark silhouette of a hand reaching towards it.